Extremely Loud and Incredibly Close: A Novel [Kindle Edition] review

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In this excellent recording of Foer's second novel, Woodman artfully captures the voice of nine-year-old Oskar Schell, the precocious amateur physicist who is trying to uncover clues about his father's death on September 11. Oskar—a self-proclaimed pacifist, tambourine player and Steven Hawking fanatic—is an ideal mixture of smart-aleck maturity and youthful innocence. Articulating the massive words slowly and carefully with only a hint of childishness, Woodman endearingly conveys the voice of an child who is wanting desperately to sound as an adult. The parallel story lines, beautifully narrated by Ferrone and Caruso, add variety on the imaginative and captivating plot, however they don't translate quite as seamlessly into audio format. Ferrone's wistful growl is ideal to the voice of your man who can no longer speak, consider the listener actually gets to know the language that the character can only convey by writing on the notepad, his frustrating silence is not as profound. Caruso's brilliant performance as a possible adoring grandmother can also be noteworthy, though the meandering stream-of-consciousness style of her and Ferrone's sections are sometimes hard to adhere to on audio. Although it can be Oskar's poignant, laugh-out-loud narration which make this audio production indispensable.
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Adult/High School-Oskar Schell just isn't your average nine-year-old. A budding inventor, he spends his time imagining wonderful creations. Also, he collects random photographs for his scrapbook and sends letters to scientists. When his father dies within the World Trade Center collapse, Oskar shifts his boundless energy to a quest for answers. He finds an integral hidden in his father's things that doesn't fit any lock within their New York City apartment; its container is labeled "Black." Using flawless kid logic, Oskar sets out to speak to everyone in Ny City with all the surname of Black. A retired journalist who keeps a card catalog with entries for everybody he's ever met is just one in the colorful characters the boy meets. As with It Is All Totally Illuminated (Houghton, 2002), Foer takes a dark subject and works in offbeat humor with puns and wordplay. But Extremely Loud pushes further using the inclusion of photographs, illustrations, and mild experiments in typography reminiscent of Kurt Vonnegut's Breakfast of Champions (Dell, 1973). The humor works like a deceptive, glitzy cover for any fairly serious tale about loss and recovery. For balance, Foer includes the subplot of Oskar's grandfather, who survived the The second world war bombing of Dresden. Although this story is not quite as evocative as Oskar's, it will carry forward and connect firmly to the rest with the novel. The two stories finally intersect inside a powerful conclusion that will make even the most jaded hearts fall.-Matthew L. Moffett, Northern Virginia Community College, Annandale
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.